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portland green™ home current projects consultant & advisor curator subscribe support buy contact from the archive, spring 2018 selected performance and media arts works from the archive < 1 2 3 4 5 > credits: peter welz and william forsythe’s whenever on on on nohow on | air drawing, 2005; roadworks, 1985, mona hatoum; weightless, 2007 & 2012, erika janunger; i, soldier, 2005, koken ergun film course: dance/film: speaking back to the canon autumn 2018, 7-9pm close-up cinema, london portland green leads a four part evening course alongside a selection of guest co-presenters: journalist and author, michael carlson; curator, filmmaker and writer, helena blaker; producer abigail addison and filmmaker david roland warwick. through four inter-connecting sessions, the course uses film clips and presentations to explore the relationship between dance and film; from its beginnings in the cinema of the early 1900s through the classic film dance partnerships of the 1930s and 40s to its expression in experimental moving image of the present day. further information: http://www.closeupfilmcentre.com/ performance archive in search of a residency…. the works documented on this web site are but a fraction of our ‘performance archive’ which contains a ‘dance/performance on film’ collection of 1,000+ moving image titles, on multiple carrying formats – plus the playback hardware to view the titles – and hundreds of books, publications, course materials and catalogues on dance, performance and media, collected over the last fifty years. for example the archive contains copies of artists’ films, documentaries on dance, performance and the visual arts, dance films, broadcast arts films, performance documentation and copies of many out-of-print books on dance, performance and media arts. for many years the ‘archive’ was accessible at the contemporary art space rivington place, shoreditch where we were based. many artists have spent time with the performance archive, including dancers, dance students, choreographers, visual artists, performance artists and theatre practitioners. the late stuart croft spent time with the archive for his 2011, bloomberg-commissioned artist film, comma 39 (www.stuartcroft.com/comma39.shtml). the archive (plus portland) act like a ‘conversational petri dish’[1] in which conversations and projects are grown. since 2012, the majority of the archive has been in storage. toward new artists’ projects, new experiences … for the past couple of years, the archive has been in dialogue with artists, technologists, funders and platforms about preservation and about ‘embodying the archive’ using new technologies. new technologies provide new moving image experiences and immersive media allows for physical experiences, which access kinesthetic memories, contributing uniquely to the dialogue about moving image archives and potentially accessing new audiences. now.. alongside these partners we are looking to engage with an institutional partner or programme. through a residency or similar vehicle, it is hoped that the ‘embodied archive’ research can continue, more artists can be invited to engage with the archive and through the residency’s public programme an opportunity for public engagement will be created, an engagement filled with movement and interaction. the residency will also provide a platform for consideration of the archive’s long-term future. get in touch if you’d like to have a conversation about this project or learn more about the proposal and/or partners do get in touch. [1] neville wakefield selected projects film screening reimerswaal-flemish and dutch films at the frankfurter buchmesse 19-23 october 2016 277,000 visitors came to the 2,300 square metre pavilion at the frankfurter buchmesse in which flanders & the netherlands showcased poetry films, short films and artists’ films. artistic director bart moeyaert chose clara von gool’s reimerswaal as one of the films for the pavilion cinema. further information about reimerswaal is available in the film section of this site. film screening grey zones and dark spaces: networks thursday, april 28, 19:00 to 20:30, nicholas sursock museum, beirut, lebanon the films in this screening investigate the materiality of digital media and networks, from digitally generated images to high-speed network cables, making visible the power structures and mechanisms that shape our increasingly mediated world. this screening is part of the grey zones and dark spaces curatorial project exploring the invisible spaces of academia, bureaucracy, capitalism, and the media. initiated by independent curator portland green and chantal pontbriand, director, mocca toronto, in collaboration with nora razian, head of programs and exhibitions, sursock museum. model court, resolution 978 hd hd video, 35 minutes, 2013 using archival footage obtained from a courtroom technician, resolution 978 hd examines transnational spaces of justice at the intersection of media and the law. it revolves around the trial of françois bazaramba, on trial for participating in the rwandan genocide of 1994, and takes place in a virtual juridical space between finland and rwanda. the finnish court has travelled 7000 kilometers to try bazaramba in his home country, as he sits in a helsinki jail. lance wakeling, a tour of the ac-1 transatlantic submarine cable hd video, 33 min, 2011 a first-person travelogue that takes place between the four landing points of a telecommunications cable known as atlantic crossing 1, which passes through new york, england, the netherlands, and germany. chance encounters and associative digressions link the communications cable to political protest, global security, war, the panopticons of jeremy bentham and argus, the urban history of docks and data centers, sylt’s corrective geology, and the problem of representing global communication structures, whose scale far exceeds that of the individual. presentation show me the money: the changing economics of artists’ moving image friday, november 6, 2:45pm, the whitechapel gallery, london. producer and curator portland green will give a presentation on the changing economics of artists’ moving image on friday nov 6 at 2:45pm at the symposium, artists’ moving image practice in britain: from 1990 to today . the symposium is presented by the whitechapel gallery in collaboration with the paul mellon centre for studies in british art and film london artists’ moving image network. the panel entitled film and video on tv includes: colin perry, gary thomas, portland green and jonathan patkowski. it will be chaired by rose cupit, senior manager, film london. the two-day symposium on nov 6 and 7, features lectures and panel discussions with leading specialists – artists, curators, film historians, art historians and critics – the purpose of this conference is to map the recent history of of this dynamic strand of visual culture within a british context, and to develop new scholarly research through thematic discussions and close readings of selected works and artists. participants include erika balsom, george barber, iwona blazwick, james boaden, steven cairns, maeve connolly, nina danino, tj demos, gareth evans, kodwo eshun, ed halter, shanay jhaveri, omar kholeif, michael maziere, mark nash, sarah perks, colin perry, michele pierson, gary thomas, jonathan patkowski, portland green, lucy reynolds, andrew vallance, mark hallett, laura castagnini, ayanna dozier, rachel garfield, diana smith, inga fraser, alessandra ferrini, isabelle wallace, george barber, nina danino, lindsay seers, smadar dreyfus, james boaden, michele pierson, ben cook, duncan reekie and ed halter. more information here: http://www.whitechapelgallery.org/events/artists-moving-image-in-britain/ presentation art project small acts of disobedience – creative time summit: the curriculum at la biennale di venezia monday, august 10, 7pm, serra dei giardini, 1254, castello, venezia, ve 30122, italy. “ sm

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